Pierre Michel

“Here Marianne Muller demonstrates her high degree of expertise, both technically, with her remarkable mastery of her instrument, and even more so, in her interpretation. Her very ‘inward’ manner, in pieces that require restraint, can also be much more outgoing in other pieces, such as the ‘Labyrinthe’ in Marais’ Book III, where the performer, in a sense, must recreate a performance that was originally improvised by the composer.”