La Croix 2019

The notes have a life of their own; they swell and subside, surging with passion or fading away into sadness. The viola da gamba, like the human voice, can be warm or briefly rasping while the accordion, sounding here like a more intimate version of an organ, ranges from whispers to fury.
It would be difficult to overstate how delicately Marianne Muller, a grande dame in the viol world, knows how to ornament the melodic line with a fluidity of expression far beyond what many a singer can only dream of.

Diapason

“One would be hard pressed to find anything more luminous, more moving than the voice of Marianne Muller.  Her delicate sensuality and the way she carefully delineates the counterpoint with the second viol made her earlier recording a true gem to listen to. Released by Accord in 1992, it has become hard to find, but has now been followed by a second, equally delightful recording by Zig Zag Territoires, soon to be re-released by Alpha”.